The Igshaan Adams tapestries

Igshann Adams the tapestries are made of colorful nylon ropes, gold and silver chains, seashells, wood and glass beads. Even more intriguing, they are all inspired by the remnants of decaying linoleum floors. His exhibition “Veld Wen” is presented at Casey Kaplan Gallery in New York until July 30e, 2021.

DIE GROT EN DIE GOUE VESTERS (the cave and the golden windows), 2021. Wood, plastic, stone beads, polyester and nylon rope, chain, cotton twine

DIE GROT EN DIE GOUE VESTERS (the cave and the gilded stained glass windows), 2021 (detail)

The title of the exhibition “Veld WenIs an Afrikaans phrase meaning “to gain ground” and can be read both figuratively and literally. Born in South Africa, Adams refers to the worn linoleum flooring in the homes of childhood friends and neighbors, uplifting the repetitive daily movements within them. After removing the floors for reference, the artist provides his neighbors with new flooring.

N VAN STILTE PLATFORM (a platform of stillness) 2021. Beads in wood, plastic, stone and shell, polyester and nylon rope, metal chain, fabric, cotton string

N PLATFORM VAN STILTE (an immobility platform) 2021. (detail)

Each tapestry is a surprise on your approach. The variety of materials often triggers memories or personal experiences, but also offers unexpected visual treats. Muted brownish colors suddenly explode in color when standing a few feet away, while other areas reveal themselves as highly polished gold or silver chains.

NAGREIS OP N VLIENDE PERD (a night journey on a winged horse) 2021. Wood, plastic, stone, metal and glass, polyester and nylon rope, chain, cotton twine

NAGREIS OP N VLIENDE PERD (a night journey on a winged horse) 2021. (detail)

Adams’s own upbringing is multi-layered and complex. He was born a Muslim and raised by Christian grandparents in the former “Cape Colored” township of Bonteheuwel, South Africa. Its reworking of the original linoleum pathways examines its own intricate history while offering an invitation to viewers to explore their own unique paths.

RENTMEESTERIN (flight attendant) 2021. Wood, plastic, glass, seashells, paint and stone beads, polyester and nylon rope, chain, fabric, cotton twine

RENTMEESTERIN (flight attendant) 2021 (detail)

Installation view: Igshaan Adams, Veld Wen, Casey Kaplan, New York, May 1 to July 30, 2021.

Throughout the exhibition, five cloud-shaped sculptures created from fences and other vestiges of the workshop. They are inspired by a celebration dance once performed by his grandparents called “Rieldans”. Traditional dance kicks and incorporates dust for a stunning effect in the performer’s movements.

GETUIE (witness) v, 2021. Metal, rubber and glass beads, metal charms (horns), metal wire and chain, resin

GETUIE (witness) i, 2021. Metal, plastic, glass and rubber beads, metal wire, automotive paint, resin

Installation view: Igshaan Adams, Veld Wen, Casey Kaplan, New York, May 1 to July 30, 2021.

“Veld Wen” is an exhibition that arouses curiosity at every turn, sparkles with every step and finds a heartwarming connection in all of our unique paths.

Installation view: Igshaan Adams, Veld Wen, Casey Kaplan, New York, May 1 to July 30, 2021.

What: Igshaan Adams: Veld Wen
Or: Casey Kaplan Gallery, 121 West 27th St, New York
When: May 1 – July 30, 2021

All images of artwork and installations photographed by Jason Wyche, © Igshaan Adams, courtesy of the artist and Casey kaplan, New York.
Detail images photographed by the author David behringer

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